Naushad - babul

Likewise in Duniya na bhaaye (Basant Bahar, 1956) like all classical-based songs, it starts out slow with a short alaap and a slow tempo that quickens pretty soon. Rafi starts out pleading for a place at God’s feet, since he does not like the world and soon the voice is soaring in an ecstasy of devotional fervor, with, of course, perfect control on the higher notes. Also in Kahan ja raha hai (Seema, 1955) – A compassionate understanding of human troubles coats Rafi’s voice as it once again effortlessly brings forth the emotions demanded of it.

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Naushad - BabulNaushad - BabulNaushad - BabulNaushad - Babul